Vše ztratilo dřívější samozřejmost – Existenciální prvky v rané povídkové tvorbě Karla Čapka (Boží muka, Trapné povídky)

Authors

  • Agnieszka Janiec-Nyitrai Eötvös Loránd University, Institute of Slavonic and Baltic Philology , Univerza Loránda Eötvösa, Inštitut za slovansko in baltsko filologijo

DOI:

https://doi.org/10.18690/scn.8.2.51–64.2015

Keywords:

Karel Čapek, existentialism, short story, Czech literature

Abstract

The aim of this article is to fnd and characterize possible traces of existential motifs in the early short stories of Karel Čapek (Crossroads, Painful stories) and defne the particular realizations of these motifs. In the context of existentialist literature the author attempts to follow and describe the development of Čapek’s thinking, which is refected in the differences between the two collections of short stories.

Author Biography

  • Agnieszka Janiec-Nyitrai, Eötvös Loránd University, Institute of Slavonic and Baltic Philology, Univerza Loránda Eötvösa, Inštitut za slovansko in baltsko filologijo

    Budapest, Hungary. E-mail: janiec.nyitrai@gmail.com

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Published

27.10.2020

Issue

Vol. 8 No. 2 (2015)

Section

Articles

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Copyright (c) 2015 University of Maribor Press

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How to Cite

Janiec-Nyitrai, A. (2020). Vše ztratilo dřívější samozřejmost – Existenciální prvky v rané povídkové tvorbě Karla Čapka (Boží muka, Trapné povídky). Slavia Centralis, 8(2), 51–64. https://doi.org/10.18690/scn.8.2.51–64.2015

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