Joachim Du Bellay: a closed or open understanding of history?
DOI:
https://doi.org/10.18690/scn.14.2.232–247.2021Keywords:
Joachim Du Bellay, The Ruins of Rome, translatio studii/imperii, sermo humilis/pedestris, sermo sublimis, historyAbstract
The Ruins of Rome is a collection of poetry by Joachim Du Bellay, written in the style called sublime, which is an exception rather than a rule for this poet. Elsewhere in his work he claims to be a poet of the low style who would gladly leave the other style to Ronsard. The Ruins of Rome picture this city from a variety of aspects, usually in comparison with something else (e. g. the seven wonders of the ancient world are compared to the seven hills of Rome). All these details put together compose an authentic brief history of the city. Du Bellay is not, however, interested in history in itself, but in its meaning. This will be Christian with a fair share of Neo-platonic and Stoical influence, but it remains to be seen what its eclectic ‘mixture’ will be.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 University of Maribor Press

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Copyrights
This journal is licensed under the Creative Commons Attribution Share-Alike License (CC BY-SA). https://opendefinition.org/licenses/cc-by-sa/
Plagiarism Policy
Slavia Centralis is a non-commercial, open access, electronic research journal. As such it pledges to uphold certain ethical principles regarding confidentiality, originality and intellectual fair play. Slavia Centralis takes copyright infringement and plagiarism very seriously and all submissions may be checked with duplication detection software.
Authors must:
- Ensure that all work submitted is original, fully referenced and that all authors are represented accurately. The submission must be exclusive and not under consideration elsewhere.
- Obtain all permissions from copyright owners for 3rd party material (e.g. quotations, illustrations, tables, etc.).